During the month of November, the artists in our Envision Program explored the concepts of Constellations and Murmurations in their sketchbooks. These subjects provided engaging opportunities for working with complex environments and natural phenomena while working with a succession of drawn and painted layers. Continue reading

Over the past few months, artists in our Envision program have been researching the subject of Environments in their sketchbooks. They have been exploring the meaning of the word itself and its relationship to the natural world, our built environment, physical space, ecological concerns, future realms, and our material reality.  Continue reading

During the month of July, we explored the physical world in our sketchbooks by observing the built structures and shifting forces of the earth's surface. We focused on the the layers, textures, and patterns seen in areas of strata and erosion and experimented with ways they could be visualized through layered ink and watercolor washes, linear mapping, combining wet and dry media, and by using dry earth pigments. Continue reading

This summer we used our sketchbooks to gain a better understanding of the physical world that surrounds and supports us everyday. During the month of June, we explored the concepts of tracings, filaments, and symbiosis through naturalistic drawing approaches, linear mapping with ink and experimental color, masking tape topography, and printing with natural forms.

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Over the past six months or so, we have been busy creating work for our upcoming Water Worlds exhibition, opening June 10th, 2022 at the Anchor Building Gallery in St. Clair Shores, Michigan. Hosted by artist and marina owner Virginia Carstarphen, the show will be installed in a massive marina structure located on Lake Saint Clair that is usually reserved for boat storage. We are very grateful to Virginia and her husband Todd for providing this exciting opportunity for all of our artists. Continue reading

Here we are closing in on the end of 2021 and once again waiting to see what the new year holds in store for each and all of us. After another year marked by the pandemic, political strife, social upheaval, and environmental disasters, it is sometimes difficult to find positive guideposts to cling on to. We search with guarded optimism, knowing instinctively that they are out there, but somehow they just keep getting harder and harder to see.

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As we come to the end of August, there is that familiar feeling in the air -- the one that reminds us that the summer went by way too quickly and those back-to-school-days are right around the corner. It is reassuring that despite all the disruption from the pandemic, our calendars, schedules, rituals, and rites of passage keep moving us ahead. Even with the strange pandemic fog that we've been collectively suspended in for over a year and a half, the anticipation of seasonal change continues to keep us on track and offer new possibilities for growth and discovery.

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There is something quite enticing about a new sketchbook. From the moment it  opens, a whole new world awaits to be discovered. The blank pages suggest such promise and opportunity for visual exploration and creative play. Many pages -- many attempts -- many hours -- many thoughts. 

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I have been experimenting with the art of collagraphy, or prints made with hand-made textured plates, for many years. The thing that draws me to this type of printmaking process is the simple construction of the plate. I use foam core board as my base and attach pieces of nature, recycled odds and ends, and small metal objects to my plate with acrylic matte medium. 

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Our wonderful community of artists came together on Tuesday, April 27th for our much anticipated Virtual Dinner Party. This project came about after we had collectively been exploring the tondo, or circular shape, as a new compositional format. We had also been having conversations throughout the pandemic about which artists through history we would enjoy having dinner with, imagining the lively conversations that would ensue between artists past and present. Since the tondo form could so readily be imagined as a dinner plate, it seemed the ideal time to come together for a virtual dinner party (with Judy Chicago's famous Dinner Party installation not far from our thoughts). Continue reading